Cannes 2022 – Panel “Constant Gardeners: The Realities of Today’s Film Sector in Europe”

This conference, taking place at Marché du Film – Cannes Film Festival on Monday 23 May at 14.00-16.00, is co-developed by the European Audiovisual Production Association (CEPI); Eurocinema; Europa Distribution; Europa International; the International Federation of Film Producers Associations (FIAPF); the International Federation of Film Distributors’ and Publishers’ Association (FIAD); the Federation of European Screen…

Releasing documentaries in times of pandemic. Europa Distribution’s Case Studies at IDFA 2021

By Jesús Silva   After the hiatus imposed by the pandemic in 2020, which led to the cancellation of many professional meetings and events in the film industry, Europa Distribution came back to IDFA for the third time this year, renewing its partnership with the Festival’s Industry Talk programme. On November 22nd, some of the…

The “new normal” for independent film distribution. Europa Distribution in San Sebastian

By Isabella Weber   Things change and practices evolve in all businesses, and the pandemic seems to have pushed the accelerator extra hard for the film industry. After almost two years of co-existence with Covid-19, it is clear that many things we were used to will not go back to being just as “before” and…

Interview with Yves Blösche, Distributor, Filmcoopi Zürich

By Davide Abbatescianni   We caught the opportunity to chat with Yves Blösche, Managing Partner at Zürich-based distributor Filmcoopi. Our conversation revolved around the peculiarities of the Swiss market, the company’s editorial policy, its recent line-up ahead of Cannes as well as its distribution and marketing strategies.   What’s your company’s line up? What about…

Interview with Michel Zana, Head of Distribution of Dulac Distribution, France

By Jesús Silva   Michel Zana, Head of Distribution of Dulac Distribution, shared his views on the French market and the specific Covid-recovery measures implemented by the local authorities to support the industry during the pandemic. Zana also opened up about the failed proposal of a concerted calendar for distribution after the second lockdown.  …

Interview with Alexis Mas, CEO of Condor Distribution, France

By Jesús Silva   We sat down with Alexis Mas, CEO of Condor Distribution, who shared with us his particular approach as an independent distributor in France. In 2020, his company enjoyed one of its most successful years in terms of theatrical admissions, due to the lack of new films after the first lockdown. However,…

Interview with Florent Bugeau, Head of Sales and Acquisitions of Rezo Films, France

By Jesús Silva   We caught up with Florent Bugeau, Head of Sales and Acquisitions of Rezo Films, to talk about the particular traits and challenges of the French market. Cinemas have reopened in the country on 19 May, but independent distributors are concerned about the high number of films that have been piling up…

Interview with René Wolf, Head of Acquisitions & Senior Programmer of the Eye Film Museum, The Netherlands

By Joachim Soudan   René Wolf walks us through the Eye Film Museum and his work as distributor and curator for the institution, his love for new and old releases, extreme films and the importance of the big screen. He shares his fears about the fierce competition between films that might happen at the reopening…

Interview with Cécile Salin, Head of Acquisitions of Diaphana Distribution, France

By Jesús Silva   Cécile Salin, Head of Acquisitions of Diaphana Distribution, shared with us the particularities of her job as an independent film distributor in France. While acknowledging the important measures implemented by the French government to tackle the crisis this year, Salin points out the urgency to think about the consequences of the…

Interview with Luis Apolinario, General Manager of Alambique, Portugal

By Jesús Silva   We sat down with Luis Apolinario, General Manager and co-founder of Portugal’s Alambique, to discuss the situation of the Portuguese market for independent film distribution. Apolinario points out the necessity to address the structural problems hindering the Portuguese market, such as the serious lack of independent screens, while asking for more…