by Isabella Weber Over the past few years several independent distributors started to invest more in animation films for family and kids, in order to vary their line-up and grow their audience. Until five-six years ago the big studios specialised in animation were releasing fewer films per year, following a regular calendar and…
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European Distribution: Focus on France
by Claire La Combe Is the French ecosystem broken? We’ve been hearing a lot of worried professionals about the state of the French films market lately…Concentration of entries in major circuits, overexposure of certain films, faster rotation of films on screens, higher promotion costs, with some art-house films which don’t even reach exhibition. Cases of…