DISTRIBUTORS FROM ALL OVER EUROPE (AND BEYOND) SHARE HOW THEY BRING THE SEASON’S MAJOR DOCUMENTARIES TO CINEMAS, THROUGH TAILORED EVENTS AND PROMOTIONAL CAMPAIGNS

By Alberta Mutti  Release strategy changes from one country to another but sometimes there are many interesting similarities. The implementation of new and innovative releases strategy is necessary when it comes to documentaries: from side events to the involvement of partners and institutions, the process of releasing and promoting a documentary varies continuously. This was…

Europa Distribution at Sofia Meetings 2023

After two years of remote attendance and a hybrid edition last spring, the 20th Sofia Meetings went back to its usual dates during the Sofia International Film Festival, unfolding between 22 and 26 March. The prestigious industry gathering, focused on film projects from Central and Eastern Europe, renewed its partnership with Europa Distribution, hosting a…

Force Majeure: How Industry Can Win Audiences Off the Sofa and Back to Cinema at NNF in Haugesund

By Michael Gubbins   Europa Distribution and New Nordic Films – The Norwegian International Film Festival Haugesund offered a packed audience insights from a range of stakeholders in how to develop audiences in an uncertain and ever-changing market. Film is far from unique in experiencing these economic and cultural shifts – the same trends can…

Interview with Sarah Chazelle and Etienne Ollagnier, Founders and Managers of Jour2Fête, France

By Joachim Soudan   Sarah Chazelle and Etienne Ollagnier, founders of Jour2Fête, develop for us their points of view over independent film publishing in France and over the struggle against the effects of the pandemic. Through ongoing discussions with the government and between all the actors of the cinema industry, France has put in place…

European Distribution: Focus on France

by Claire La Combe Is the French ecosystem broken? We’ve been hearing a lot of worried professionals about the state of the French films market lately…Concentration of entries in major circuits, overexposure of certain films, faster rotation of films on screens, higher promotion costs, with some art-house films which don’t even reach exhibition. Cases of…